Kamis, 09 Agustus 2012

[E927.Ebook] Ebook Free How to DJ Right: The Art and Science of Playing Records, by Frank Broughton, Bill Brewster

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How to DJ Right: The Art and Science of Playing Records, by Frank Broughton, Bill Brewster

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How to DJ Right: The Art and Science of Playing Records, by Frank Broughton, Bill Brewster

DJs have gone from being underpaid live jukeboxes to becoming premier entertainers, producers, businessmen, and musicians capable of commanding admiration from thousands and earning serious money. Bill Brewster and Frank Broughton's Last Night a DJ Saved My Life was the definitive history of the DJ. Now they gather their mastery of the artistic and technical aspects of being a DJ into a clear, accessible, and entertaining guide. How to DJ is the perfect guide -- from the most basic keys to establishing a music collection and a distinctive sound, to elementary record-spinning, to the complex skills of scratching, hot-mixing, and beat-juggling, as well as the inimitable art of creating an evening of sound that is perfectly timed, balanced, and unforgettable. Diagrams throughout illustrate phrases, beat timing, and song structure with no reliance on music theory, and resource lists recommend everything from which songs are best (and most fun) to learn with, to good sources for building a library of disks, CDs, and MP3s. For those who want to turn pro, the authors give sage advice on the vagaries of the club and music business. Short quotes, anecdotes, and photos of famous DJs such as Grandmaster Flash and Derrick Carter are featured.

  • Sales Rank: #107611 in Books
  • Published on: 2003-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 7.00" w x .75" l, 1.02 pounds
  • Binding: Paperback
  • 288 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
DJ Guide
By Stella Carrier
How to DJ right by Frank broughton and bill Brewster is a book listed to come from the same men who wrote last night a dj saved my life. This book also features information and advice from some of the multiple DJs featured in this book; carl cox, Christopher Lawrence, armand van helden, juan atkins, ron trent, masters at work, chemical brothers, derrick carter, kool herc, boy George, little louie vega, danny tengalia, dave seaman, coldcut, Richie hawtin, Harvey, barry ashworth, mr. scruff,pete tong, danny howells, adam freeland, Anthony pappa, norman cook of fatboy slim, david mancuso, grooverider, junior Vasquez, funkmaster flex, grandmaster flash, Laurent garnier, grand wizard Theodore, paul oakenfold, dj shadow, rocky, tom middleton, paul oaKenfold, paul vAn dyk, grandmaster dst, roc raida, mark rae, q-bert. John digweed, ltj bukem, Darren emerson, roger sanchez, gary bird, francois Kevorkian, dave lee, josh wink, Arthur baker, dj rap, sasha, marshall Jefferson, todd terr arey, norman jay, frankie knuckles, lottie, sAndrA Collins, timo maas, bAd boy bill, Afrika bambaataa, keoki, robb swift, todd terry, And other names and information that could take up another review length.

1 of 1 people found the following review helpful.
A quick informative book for new DJs
By Alex Hawk
I bought this book to get a basic understanding of how to DJ and that's exactly what I got.

There really is no stone unturned with this book and it exposes the reader to many different DJing concepts. It is very quick to read cover to cover which is exactly what I was looking for. A no frills guide to DJing, plain and simple.

A few sections of the book may seem to state the obvious if you have any sort of background in audio or music but it is nice to have everything in one place rather than aimlessly googling bits and pieces of info on the web. This book confirmed a lot of my suspicions about DJing and was well worth the money.

1 of 1 people found the following review helpful.
Great primer on the art/business of DJ'ing
By Brian Holt
This book delivered in ways I wasn't expecting. I purchased this for the more technical portions of the book, and while still relevant, the content is very dated (published in 2002) in regards to digital formats, and promoting one's self on the internet.

The portions of book dedicated to DJ technique were strong, but I felt like alot of the information contained there was vague. How exactly do you write about combining music in a way that empowers it? It all comes down to personal taste. And experience, developing an ear for what sounds right. Pictures of different scratch techniques won't mean much without knowing the sounds you're going for. And pictures of beat matching won't make any sense unless you've sequenced beats before. I've done all these things before so it worked out for me.

The real value in this book was about the DJ culture. Where to find gigs, how to know your audience, how to read a room. The differences between warming up a crowd and playing peak hours. These chapters were real gems, indispensible wisdom for people like myself without friends in the business. I felt like it was worth the price of admission for just these chapters.

The only thing I would ask for would be more chapters dedicated to different musical styles, and mixing them. It felt like a gaping hole in the book.

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Kamis, 02 Agustus 2012

[W231.Ebook] Ebook Free Archaeological Theory in Practice, by Patricia A Urban, Edward Schortman

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Archaeological Theory in Practice, by Patricia A Urban, Edward Schortman

In this concise, friendly textbook, Patricia Urban and Edward Schortman teach the basics of archaeological theory, making explicit the crucial link between theory and the actual conduct of archaeological research. The first half of the text addresses the general nature of theory, as well as how it is used in the social sciences and in archaeology in particular. To demonstrate the usefulness of theory, the authors draw from research at Stonehenge, Mesopotamia, and their own long-term research project in the Naco Valley of Honduras. They show how theory becomes meaningful when it is used by very real individuals to interpret equally real materials. These extended narratives exemplify the creative interaction between data and theory that shape our understanding of the past. Ideal for introductory courses in archaeological theory.

  • Sales Rank: #1207632 in Books
  • Brand: Brand: Left Coast Press
  • Published on: 2012-01-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.27 pounds
  • Binding: Paperback
  • 344 pages
Features
  • Used Book in Good Condition

About the Author
Patricia A. Urban is the J. Kenneth Smail Professor of Anthropology at Kenyon College. She is, by training, a "dirt" archaeologist specializing in the prehistory of Mesoamerica. For over 20 years she has worked in Honduras, investigating the relationship of the prehistoric cultures of western Honduras to their better-known neighbors, the Maya. Some of the topics she has worked on include settlement patterns, site planning, ceramic production and other aspects of political economy, and the expression of identity through material culture. She has written extensively on these topics. Edward Schortman is Professor and Chair of Anthropology at Kenyon College. His interests range widely, and he teach courses at Kenyon dealing with archaeology and cultural anthropology, the living and past cultures of North, Central, and South America, the anthropology of politics, and the history of anthropological thought. His principal research focuses on two related topics: the manner in which rulers and those they seek to rule contend for political power within hierarchical societies; and the impact of external ties on local social and political developments. He has written numerous articles and books dealing with these issues.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Practical
By Tsr
I purchased this book for a course towards my Anthropology degree, and even though Archaeology is not my focus I ended up keeping it for my personal collection.

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Jumat, 27 Juli 2012

[E562.Ebook] Download Ebook Samsung SmartTV Application Development, by Ltd Handstudio Co.

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Samsung SmartTV Application Development, by Ltd Handstudio Co.

Take your apps from the small screen to the big screen and start developing for the Samsung SmartTV now!

Samsung’s SmartTV platform gives developers the opportunity to bring the app experience to the world of home entertainment, creating a more interactive and engaging way to reach their audience. If you’re ready to expand your app development skills beyond the mobile environment, look no further than Samsung SmartTV Application Development. This unique guide shows you how to incorporate SmartTV features like Smart Interaction, gesture and voice recognition, and personalized recommendations into your app designs and take advantage of movie, video game, web, and other smart content available on the latest SmartTV offerings.

  • Shows how to build a new SmartTV application – from planning the app design to creating a compelling user interface, adding features, and taking the app to market
  • Walks you through the development environment, key platform capabilities, the SmartTV toolset, and testing emulator
  • Includes helpful source code examples to use as inspiration for your own app design and instruction on using video-on-demand, gaming, multi-screen, and Smart Interaction features in your app
  • Written by a team of experts from Handstudio, a global smart media application and solution developer whose clients include Samsung, Humax, and LG, who share their real-world insights and experience developing for the Samsung SmartTV platform

�Make the smart move and get Samsung SmartTV Application Development today!

  • Sales Rank: #464760 in Books
  • Brand: Brand: For Dummies
  • Published on: 2013-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .73" w x 7.50" l, 1.69 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Review

“Written directly by the creators of the Samsung SmartTV platform, this book provides unique insights and tips into the world of Smart TV app development. Whether you’re interested in Samsung SmartTV app development for video-on-demand, gaming, multi-screen, or Smart Interaction, this book includes something for everyone.”�
—Kyungshik Lee, Service Strategy Team, Senior Vice President/Team Leader, Visual Display Business, Samsung Electronics

“This book will guide both beginners and experienced developers toward creating high-quality apps on this exciting platform. If you have any experience with web technologies, you will be able to easily start developing Samsung SmartTV applications.”�
—Youngki Byun, S/W R&D Team, Vice President/Team Leader, Visual Display Business, Samsung Electronics

From the Back Cover

"This book will guide both beginners and experienced developers toward creating high-quality apps on this exciting platform..." YoungKi Byun S/W R&D Team, Vice President/Team Leader, Visual Display Business, Samsung Electronics

Turn your idea into the next killer app for SmartTV

The Samsung SmartTV platform offers an exciting new opportunity for content developers to bring the app experience directly to consumers in the comfort of their own homes. While SmartTV's open development environment provides developers with a world of possibilities, many developers have found the lack of shared techniques and SmartTV programming know-how a daunting challenge to undertake. Samsung SmartTV Application Development can help. The authors, a team of experts from Handstudio, draw on their professional experience creating innovative apps for SmartTV and share their solutions to common development challenges. If you're eager to start developing apps for SmartTV, this book is a smart move.

  • Understand Samsung SmartTV capabilities and features
  • Configure the development environment and create a plan for your app
  • Take advantage of video-on-demand, gaming, multi-screen, or Smart Interaction in your app designs
  • Work with source code examples and test your app with the emulator
  • Register your app on the Samsung Apps Seller Office site

About the Author

Handstudio Co., Ltd is a global smart media application and solution developer whose clients include Samsung, Humax, and LG. Handstudio offers authentic and creative new media solutions and excels in providing specialized content consumption technology for various platforms, including SmartTV and mobile devices.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Does not cover current SDK
By R. Caplan
Bought this book just last week, but it only covers thru SDK V4.1.
There was a major revamp of the SDK with V4.5 and V5.0, and this book will not help you with getting started with the current SDK.
If there is a newer version of this book, which i bought because it was written by the SDK's authors, i will buy that book and update this review.

1 of 2 people found the following review helpful.
Nice introduction for Samsung Smart TV Web development
By Piotr Marcinkiewicz
It is great introduction for current Samsung Smart TV Web development. The book contains useful tips and helpful examples. It can help you to avoid certain missteps during making your first application for TV.

1 of 7 people found the following review helpful.
Too hard
By silky
It was ot what I wanted and was way to technical as aii I wanted was an instruction book on how touse my smart TV

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Senin, 23 Juli 2012

[T949.Ebook] Get Free Ebook Board Appointments: The Definitive Guide to Gaining a Non-Executive Directorship, by David Schwarz

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Board Appointments: The Definitive Guide to Gaining a Non-Executive Directorship, by David Schwarz

There are many things in life that you cannot prepare for but the board appointment process is not one of them.

Non-executive board directors often describe finding their first directorship as an arduous and time-consuming process. More experienced board members suggest finding subsequent board roles equally challenging. For these reasons, the biggest mistake most people make when considering their board career is not starting the process early enough and not understanding how board appointments are made.

Regardless of your approach, the process of finding and being appointed to a board takes a certain amount of skill and practice. This book provides practical advice, clearly written, to help get you on a board and 'dare them not to appoint you'.

  • Sales Rank: #1986016 in eBooks
  • Published on: 2015-12-14
  • Released on: 2015-12-14
  • Format: Kindle eBook

About the Author
David Schwarz is a Board Career Counsellor, Non-Executive Director, Board Governance expert and was an international headhunter and non-executive recruiter who has put people on boards for over a decade. He has interviewed over one thousand non-executives and placed hundreds into some of the most significant public, private and NFP roles in the world. His understanding of the non-executive recruitment process, and how individuals find board roles, resulted in Board Direction (www.boarddirection.com.au - Australia's leading board career consultancy firm) and Board Diversity (www.boarddiversity.com.au - a Board Governance Review consultancy). David has been quoted as a 'board CV expert' various times by main stream media and regularly speaks on the board appointment process for leading governance, educational and executive organisations.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A very practical guide for securing your very first board role
By Gerry O'Sullivan
This is a practical guide to finding a board position - particularly a first board position. I found it very useful and practical. I have a background in career consulting and employment skills training but I learned that securing a board role is quite different from securing a regular job, even at senior executive level.

The book guides the reader, step-by-step, through the process and is both useful and practical.

It took me a year, but I finally did secure a prestigious board role with a federal government funded body which, if I may say so myself, looks very good on my resume. I would not have secured this position without the help of this book.

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Minggu, 22 Juli 2012

[F471.Ebook] Ebook Download On Doctoring: New, Revised and Expanded Third EditionFrom Free Press

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On Doctoring: New, Revised and Expanded Third EditionFrom Free Press

Few subjects hold more universal appeal than that of medicine, and surely few books have evoked medicine's drama and magic more powerfully than "On Doctoring." In its many forms, from age-old ritual to the cutting edge of modern science, medicine concerns us all. It is a human profession, practiced by people who have dedicated their lives not only to science but also to humanity. In the words of the great physician-writer Sir William Osler, "The physician needs a clear head and a kind heart; his work is arduous and complex, requiring the exercise of the very highest faculties of the mind, while constantly appealing to the emotions and higher feelings." It is the humanity in medicine that has inspired the pens of countless writers, and that has now been captured in this remarkable anthology of medical literature.This newly expanded edition of "On Doctoring" is an extraordinary collection of stories, poems, and essays written by physicians and non-physicians alike -- works that eloquently record what it is like to be sick, to be cured, to lose, or to triumph. Drawing on the full spectrum of human emotions, the editors have included selections from such important and diverse writers as Anton Chekhov, W. H. Auden, William Carlos Williams, John Keats, John Donne, Robert Coles, Pablo Neruda, Ernest Hemingway, Raymond Carver, Alice Walker, Kurt Vonnegut, and Abraham Verghese. Among the new authors included in this edition are Rainer Maria Rilke, Lisel Mueller, and May Sarton.In this era of managed healthcare, when medicine is becoming more institutionalized and impersonal, this book recaptures the breadth and the wonder of the medical profession. Presenting the issues, concerns, and challenges facing doctors and patients alike, "On Doctoring" is at once illuminating and provocative, a compelling record of the human spirit.

  • Sales Rank: #445203 in Books
  • Published on: 2001-08-07
  • Released on: 2001-08-07
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.19" h x 6.38" w x 9.54" l, 1.61 pounds
  • Binding: Hardcover
  • 416 pages

From The New England Journal of Medicine
Few physicians and fewer medical students read novels. Nonetheless, literature has much to teach physicians and medical students about the type of work they have chosen. This anthology, aimed primarily at first-year medical students, is made up of bite-sized offerings. It includes 130 pieces (mostly poems, but also stories, essays, and one short play) by 81 authors, with all the pieces chosen because they illuminate an aspect of the practice of medicine. Although it is labeled as a third edition, the collection remains substantially similar to the 1991 first edition (about a dozen authors from the first and second editions do not appear here, and a few more than that have been added). Nonetheless, there is no better place than this book to begin an exploration of what literature tells us about physicians and what physicians have written that can qualify as literature.

The core of the collection is made up of selections from writers whose stories will be familiar to many readers of the Journal; these include W. Somerset Maugham, William Carlos Williams, Ernest Hemingway, Flannery O'Connor, Jorge Luis Borges, and Raymond Carver. Nor will the poets (writing mostly about death and suffering) surprise the reader; they include Emily Dickinson, Robert Frost, Archibald MacLeish, Dylan Thomas, Denise Levertov, and one of the book's coeditors, John Stone. The best essays on medical practice in the collection were originally published in the Journal and include pieces by physician-writers Lewis Thomas, Robert Coles, Carola Eisenberg, Joseph Hardison, and David Hilfiker. Other contemporary physician-writers are also well represented, including Lawrence Altman, Melvin Konner, Abraham Verghese, Perry Klass, Jon Mukand, and Ethan Canin.

Since 1991, when the first edition was published, the Robert Wood Johnson Foundation (of which coeditor Richard Reynolds was executive vice president at the time) has distributed the book free to all first-year medical students. The goal of trying to develop in physicians a lifelong habit of reading literature is a good one, since much of the practice of medicine involves understanding patients' narratives and listening to their stories. It is also difficult to quarrel with this book's content, although many of the selections over-romanticize the practice of medicine, and few hint at its economic and bureaucratic aspects. The inclusion of some less reverential pieces would have provided more insight into medical practice. Kurt Vonnegut's devastating short play, Fortitude, is the only entry with much humor. At least one excerpt from the novel that is most widely read by medical students, The House of God (New York: Dell, 1978), by Samuel Shem (the pen name of physician Stephen Bergman) and almost anything on medicine by Mark Leyner would have been welcome additions.

Most of the fiction and virtually all the poetry is universal and aims deep. Nonetheless, it is the essays in this collection that will attract medical students the most, since they speak directly to the experience of being (and becoming) a physician. Those included are all strong, but the addition of something like David Rothman's essay on medical professionalism, which appeared in the Journal (2000;342:1284-86), would have made the collection both more contemporary and more challenging to medical students.

The introduction to the book insists that "physicians and patients must continue to talk and listen together -- and literature can help in that exchange." But I doubt that this book will have a readership among patients. It is much more an insider's book. Moreover, reading is a solitary activity, and as Jay Katz has eloquently argued in The Silent World of Doctor and Patient (New York: Free Press, 1984), there is seldom much in the way of real communication between doctor and patient. Reading literature will not change this situation, although group discussions about readings (including medical school seminars on literature and medicine) could help. In addition to medical students, then, the other major target audience for this book should be medical school faculty members.

The book does have one glaring problem. Although it includes selections by women writers, the collection is dominated by white male physicians. This domination -- something literature should help to expose and correct -- is reinforced (but unexplained) by the titles given the editors themselves; the two male physicians are called "editors" and the two female Ph.D. humanists (Lois LaCivita Nixon and Delese Wear) are described (in much smaller type on the cover) as "associate editors." The photographs and biographies of the two male physician-editors appear on the book jacket; there are no photos or biographies of Nixon and Wear. The message to medical students is unmistakable and perverse: even in the world of literature, only physicians matter.

Finally, the editors treat all their selections equally, and organize them (with no explanation) according to the author's date of birth. It does not help new medical students simply to be told to read this book because it is good for them. They should be told where to begin. I think they should be told explicitly to begin with Richard Selzer's story "Imelda," Robert Coles's essay "Medical Ethics and Living a Life," David Hellerstein's story "Touching," and two poems: Rafael Campo's "What the Body Told," and Gregory Edwards's "The Shot." They can figure out the rest by themselves.

George J. Annas, J.D., M.P.H.
Copyright � 2002 Massachusetts Medical Society. All rights reserved. The New England Journal of Medicine is a registered trademark of the MMS.

About the Author
Richard C. Reynolds, M.D., is Courtesy Professor of Medicine at the University of Florida College of Medicine. He was formerly Executive Vice President of the Robert Wood Johnson Foundation. A graduate of Rutgers University and the Johns Hopkins University School of Medicine, he did postgraduate training at the Johns Hopkins Hospital. After spending a number of years in private practice of internal medicine, he held academic appointments at the University of Florida College of Medicine and the University of Medicine and Dentistry of New Jersey.

Excerpt. � Reprinted by permission. All rights reserved.
Introduction

It's the humdrum, day-in, day-out, everyday work that is the real satisfaction of the practice of medicine; the million and a half patients a man has seen on his daily visits over a forty-year period of weekdays and Sundays that make up his life. I have never had a money practice; it would have been impossible for me. But the actual calling on people, at all times and under all conditions, the coming to grips with the intimate conditions of their lives, when they were being born, when they were dying, watching them die, watching them get well when they were ill, has always absorbed me.

In these few sentences from William Carlos Williams's autobiography, he has captured very well the human splendor of medicine. We have tried to do the same in compiling this anthology, which contains stories, poems, essays, excerpts, and memoirs. In the process of caring for their patients, physicians have a unique -- and privileged -- window on the full range of human emotions. Literature, too, is rich in its descriptions of individual illnesses and plagues, in its capacity to reveal patients' reactions to illness and doctors' dilemmas in providing care. In its own way, literature defines the medical profession and fits into the larger society. Legacies and traditions, which are an important part of medicine, are often best manifested in the literature of a given period of history. Many of our selections were written by physicians. Williams and Anton Chekhov, W. Somerset Maugham and Lewis Thomas are only a few of the physician-writers who have relied on their medical backgrounds to help them understand better the frailties and strengths, the wonderment of the human condition. Some carried on a lifelong practice of medicine while simultaneously achieving literary recognition. Dr. Williams is a fine example -- his work, it seems fair to say, changed the face of American poetry, even as he carried on a large medical practice (he delivered over three thousand babies, for example). Somerset Maugham, although he discontinued his medical practice after internship, gave full credit to the experience in his autobiographical The Summing Up: "I do not know a better training for a writer than to spend some years in the medical profession." Others, so well known for their writing, were also trained in the medicine of their day. It is not generally known, for example, that the Romantic poet John Keats did a five-year apprenticeship with a surgeon. During those years he delivered so many babies that he was not required to take obstetrics and gynecology during the hospital phase of his training.

Of course, one need not be trained in medicine in order to make cogent and crucial observations about what it is like to be sick, hence vulnerable; to witness and record the isolation and alienation that comes eventually to all of us -- finally, we are all patients. Consider the poems of the late Jane Kenyon and her husband, Donald Hall. Their writings poignantly describe the time before their ultimate separation by her death, in 1995. Their poems are human documents without parallel. In his compelling short story "The Immortals," Jorge Luis Borges (also not a physician) comments trenchantly and presciently on some of the major ethical dilemmas of our time, those centering on organ transplants and utilization of scarce medical resources.

We have included many poems in this anthology. Poems recommend themselves to the editors of such a work because of their economy of form: in a few words a poem can communicate a complete experience. Read aloud Margaret Atwood's "The Woman Who Could Not Live with Her Faulty Heart." In its rhythms one can hear the heart, first regular, then skipping. Or listen to the courage embodied in James Dickey's "The Cancer Match." Read Emily Dickinson's short poems, which transcend time and place to speak to us in completely modern -- and human -- terms. And share with Patricia Goedicke (in "One More Time") the universal experience of having an X ray taken: "When the technician says breathe / I breathe."

Nor have we neglected the wisdom gathered in essays from major clinical figures and teachers over the years; hence, Lewis Thomas's "House Calls" is included. We begin this book, in fact, with just such an essay, one that impressed us from the first time we encountered it in the pages of the New England Journal of Medicine: Carola Eisenberg's "It Is Still a Privilege to Be a Doctor." The reader will find his or her own favorites among the many others we have included.

This third edition of On Doctoring provided us with the chance to add other voices to those previously included: remarkable writing from physician-writers Mikhail Bulgakov and Susan Onthank Mates, for example. Many writers new to this anthology are well known and widely published: Rainer Maria Rilke, Mary Oliver, Paul Zimmer, Donald Justice, Derek Mahon, and Jenny Joseph. We note with pride that our youngest author ever is included in these pages: Gregory Edwards was ten years old when he wrote his insightful -- and humorous -- poem called "The Shot."

Each one of us, of course, has a vast and vested interest in what goes on in the myriad arenas of medicine -- and in the nature of the individual doctor-patient encounters explored within the pages of this book. This is all to the good: physicians and patients must continue to talk and listen together -- and literature can help in that exchange. As editors, we are pleased to have had some part in this dialogue: prior editions of On Doctoring have had a combined readership of two hundred thousand.

Henry David Thoreau wrote, "To affect the quality of the day -- that is the highest of arts." Both medicine and literature have the capacity to affect the quality of the human day. Resonances between these two disciplines offer us a unique view of the human condition that neither one alone can provide. Read. And enjoy.

The Editors

Copyright � 1991, 1995, 2001 by The Robert Wood Johnson Foundation

Most helpful customer reviews

4 of 4 people found the following review helpful.
The Art of Medicine...
By yygsgsdrassil
...the science of health. The art and science of the human spirit.
These are given every year to first year students by the Robert Wood Johnson Foundation, and in my opinion, it is like a trusted physician's black bag in which you have the practitioner's stethoscope and blood pressure cuff and plenty of simple pharmacies for a house call--one in which the doctor is not in a hurry to run.
Let not the title catch the layperson off kilter--it's chocked full of good stuff for the rest of us humans who just like to read classic and near-classic works. Like some of my favorites: Because I Could Not Stop for Death by Dickinson, Larynx by Neruda, House Calls by Lewis Thomas and A Summer Tragedy by Arna Bontemps. There's a superb essay on wonder and the evolution of the human spirit by Melvin Konner. There's a Vonnegutian reworking of Frankenstein ( "a crass medical genius" with my real supervisor's first name--I'm grinning as I type this). There's a Chekhov piece on the loss of hope and sadness when one loses a child. Then there's copies of art--Munch, Rockwell, Fildes. Plus, lots, lots more.
First year medical students who usually are to busy to read anything for enjoyment, are missing out on a great collection if they don't stop to smell some of these literary roses. We lay folk with a taste for a great read or two will take us this slack and pass the word on how superb is this collection.

6 of 6 people found the following review helpful.
Medicine & Literature - the promise fulfilled
By tommayo
Reynolds, Stone and (new to this edition) Nixon have produced an almost magical book. I've used the previous two editions of this anthology in a seminar with third-year law students and fourth-year medical students ("Law, Literature & Medicine") and look forward to using this new edition in 2002. The impressive literary range represented here -- from the ancients to the most modern (including a little gem from an 11-year-old poet) -- captures the perspectives of patient, healer, family member and others who must deal with illness or death. Many of the classics are collected here (Dylan Thomas (Do not go gently), John Donne (Death be not proud), O.W. Holmes (The Stethoscope). In addition, the editors' command of modern texts -- especially short stories and poems -- gives fresh voice to up-to-the-minute versions of ancient concerns. This book gives new meaning, and new signficance, to the idea of "the art of medicine." Anyone who is facing or may face illness or death, or knows someone else who will face these inevitabilities (that is: ALL OF US) will be enriched by this unique and valuable collection.

2 of 5 people found the following review helpful.
Fair Attempt to Expound Literary Art in a Medical Paradigm
By A Customer
I, along with all my other classmates, received this book at the beginning of medical school at our white coat ceremony. It was presented to us as a collection of anecdotal stories and poems that would help us maintain our focus on the humanistic side of medicine and keep our passions for the practice alive while toiling away at arduous scientific study and long clinical hours. There are some excerpts and short works in the book that do just that. I found myself inspired and feeling enlightened after reading these parts of the book. However, this did not comprise the majority of the book for me. Most of it kept me on the verge of reading and sleep. Several of the poems failed to grip me in the way a select few of the stories had done. Although much of health care deals with the elderly, the book seemed to drone on and on with the experiences of the geriatric to the extent that at times, it felt a more apt title would be On Being Old. For the most part, I felt this work tried to pressure literary art on to medicine. There is a lot of rich and passionate literature related to medicine, but I felt that mostly only less than great works were included here. It was an o.k. experience to read through On Doctoring which did have its gripping pages, but I would probably not recommend it.

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Jumat, 20 Juli 2012

[A646.Ebook] Free Ebook Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall

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Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall

Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall



Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall

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Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall

An illustrated lifestyle cookbook on the Swedish tradition of fika--a twice-daily coffee break--including recipes for traditional baked goods, information and anecdotes about Swedish coffee culture, and the roots and modern incarnations of this cherished custom.

Sweden is one of the world’s top coffee consuming nations, and the twice-daily social coffee break known as fika is a cherished custom. Fika can be had alone or in groups, indoors or outdoors, while traveling or at home. A time to take a rest from work and chat with friends or colleagues over a cup and a sweet treat, fika reflects the Swedish ideal of slowing down to appreciate life’s small joys. In this adorable illustrated cookbook, Anna Brones and Johanna Kindvall share nearly fifty classic recipes from their motherland—from cinnamon buns and ginger snaps to rhubarb cordial and rye bread—allowing all of us to enjoy this charming tradition regardless of where we live.

  • Sales Rank: #28022 in Books
  • Published on: 2015-04-07
  • Released on: 2015-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .80" w x 6.70" l, 1.25 pounds
  • Binding: Hardcover
  • 168 pages

Review
"The book is a delicious compendium of nearly 50 illustrated recipes inspired by Brones and Kindvall’s childhoods, equally fueled by Fika. The cookies, cakes and breads (including savory variants) tap right into a growing, universal quest to achieve a more laid-back European lifestyle."
—Lindsey Tramuta,�New York Times T Magazine

"As accessible as it is insightful,�Fika�is a baking book mixed with etiquette how-to and cultural know-how, iced with a calendar of holidays and expressed as a work of illustrated art. "
—Anne Bramley, Paste Magazine

"Operating as both a noun and a verb, the finer points of the fika are sometimes lost on outsiders—until now. Writer�Anna Brones�and illustrator�Johanna Kindvall�compiled the history and practice of the fika along with a collection of recipes for Swedish baked goods in their release "Fika: The Art of the Swedish Coffee Break. [...] For those looking to bring fika vibes to their lives, the book is a wealth of Swedish recipes and cooking tips. Swedish classics like kanelbullar (cinnamon buns spiced with cardamom) and hasseln�tsflarn (simple cookies best dipped in a fresh cup of coffee) are easily explained and aided by Kindvall's upbeat illustrations. The visual component of the recipes especially comes in handy for more elaborate specialties like lussekatter (saffron buns). Beyond the classic sweet-baked goods associated with fika, the book gives recipes for savory sm�rg�sbords, jams, drinks and more contemporary recipes like the ultra-rich chokladbollar (chocolate balls that are, admittedly, mostly butter)."
�—Hans Aschim, Cool Hunting

About the Author
ANNA BRONES is a Swedish-American freelance writer based in Paris. She is the editor of the online food magazine Foodie Underground, and is a contributor to a variety of publications including BBC, Guardian, Sprudge, GOOD, and PUNCH.
�
JOHANNA KINDVALL is a Swedish illustrator who divides her time between Brooklyn and Sk�ne in the�south of Sweden. Her work has been�featured in various books and magazines.�She also writes an� illustrated cooking blog,�Kokblog, which was named a Saveur�“site we love".

Excerpt. � Reprinted by permission. All rights reserved.
kokostoppar
Coconut Peaks
makes 25 to 30 cookies

Kokostoppar are the Swedish version of a classic coconut macaroon and most certainly a staple on the fika cookie platter. This is a recipe that works well with many variations. For a twist, try adding a teaspoon of freshly grated ginger or dipping the tips in dark chocolate. These are also gluten-free.�

3� tablespoons (1.75 ounces,
50 grams) unsalted butter
2 eggs
⅔ cup (4.67 ounces, 132 grams) natural cane sugar
2� cups (6.75 ounces, 191 grams) unsweetened shredded coconut
� teaspoon salt

Preheat the oven to 350�F (175�C). Grease a baking sheet or line it with parchment paper or a silicone baking mat

In a saucepan, melt the butter. Remove from the heat and set aside.�

In a bowl, lightly whisk together the eggs and sugar. Fold in the coconut and salt and the slightly cooled butter. Let the batter sit for about 15 minutes.

Scoop tablespoon-size portions of the batter onto the baking sheet and shape them into peaked mounds.

Bake�for 10 to 12 minutes, until the cookies are a light golden brown. Remove from the oven and let cool.

Store in an airtight container.

Most helpful customer reviews

25 of 25 people found the following review helpful.
Ska vi fika?
By Lith
Until I moved to the US, most of my exposure to Swedish food came from IKEA, much like I imagine it does for most people. But our relocation agent that helped us find a place to live and do battle with Social Security and the DMV is Swedish, and invited us round to her house for her annual Swedish Christmas/ St Lucia party. There we tasted lussekatter, got offered some Gl�gg, and were taught that seven kinds of cookies minimum should be served up by any self respecting Swedish host(ess) at a party.

Yes.

Seven.

Anyway, the full title of this book is Fika: The Art of the Swedish Coffee Break.

Fika means coffee or kaffe with something to eat, but also refers to the coffee break taken at least once a day, a chance to sit down and unwind. Frankly after the crazy week I have had, I think we could all deal with a little bit of fika.

The book deals with various traditionally based Swedish recipes for baked goods, but also some recipes of preserves and cordial, all accompanied by a bit of background information and history.

It is a cute book with illustrations throughout by Johanna Kindvall. The illustrations include diagrams of the traditional forms for shaping your lussekatter, variations for vetebullar (Cinnamon and Cardamom Buns) and others giving a pictorial representation of the recipe.

While pretty, I can't help but long for a few pictures of the goods themselves though, somehow the pictures don't quite inspire me to bake in the same way. In the interests of completeness, I made havreflarn med choklad (oat crisp chocolate sandwich cookies).

They were taste tested and found to be good! The cookies themselves are made in a slightly different method to what I am used to, and result in a cookie with a slight chewy meringue-y texture. Very little flour is used, instead you blitz oats in a food processor. The filling is simply melted chocolate with a bit of ground ginger. The recipe worked perfectly, other than me needing to increase the cooking time, but this is a standard adaptation for any recipe in my poor pathetic oven.

Just a little FYI, in order to try and keep the mess minimal, I melted the chocolate and mixed in the ginger, then put it into a zip lock bag, chopped the corner off, then used this like a piping bag to apply the chocolate, then smoothing it out with the back of a spoon, and placing the other half on top.

It worked pretty well!

Overall there a quite a few recipes I could see myself making, and while they say that some of the ingredients might be difficult to get hold of outside of Sweden, I think for the most part this is not true, especially in this day of internet shopping. It is a cute little book!

So friends............................ ska vi fika?

I received this book from Blogging for Books for this review.

13 of 13 people found the following review helpful.
of course we love our coffee
By Thomas Hudson
I bought this for my wife, and let me tell you that has paid out in dividends for me. The first thing she made was the mandelkaka med bj�rnb� (blackberry almond cake). Oh my. But as others have stated, this is much more than a cookbook. Living in Seattle, of course we love our coffee, but fika elevates it to the sublime. This well written book is our new best friend.

12 of 12 people found the following review helpful.
Not just a collection of recipes, but also a compilation of stories and cultural insight
By Emily Dilling
What I love about Fika: The Art of The Swedish Coffee Break is that it's not just a collection of recipes, but also a compilation of stories and cultural insight. I feel like I've learned so much about the Swedish Coffee break and now I have all the recipes I need to host my own! The illustrations are as delightful as the recipes, which I've found to be dependable and easy to follow- and beg to be made over and over again!

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Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall PDF
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Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall PDF

Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall PDF

Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall PDF
Fika: The Art of The Swedish Coffee Break, with Recipes for Pastries, Breads, and Other Treats, by Anna Brones, Johanna Kindvall PDF

Selasa, 17 Juli 2012

[D359.Ebook] Free PDF The Natural, by Bernard Malamud

Free PDF The Natural, by Bernard Malamud

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The Natural, by Bernard Malamud

The Natural, by Bernard Malamud



The Natural, by Bernard Malamud

Free PDF The Natural, by Bernard Malamud

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The Natural, by Bernard Malamud

  • Sales Rank: #6944914 in Books
  • Published on: 1980
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
A different Roy Hobbs than the movie, but still a great read!
By Mark Chitwood
I made the mistake of seeing the movie first. While Roy Hobbs' desire to just play ball and be 'the best there ever was' is still there, there is no warmth to the character as there is in the screen version.

That said, Mr. Malamud does fashion a great story about a self-absorbed, talented athlete (imagine that!) for whom Fate finds many ways to deny him the things that he wants most in life.

0 of 0 people found the following review helpful.
This book might have been regarded well mid century, ...
By Julia C. Jennings
This book might have been regarded well mid century, when it was written, but the writing form does not translate well to today. If this book was written today, I doubt if anyone would publish it.

7 of 11 people found the following review helpful.
The SUPER-Natural
By A reader
This book ought to be titled "The Super-Natural," rather than "The Natural," since there are so many mythic and magical elements to it, in both style and content. Forget about any comparisons to the feel-good/and-they-lived-happily-ever-after movie starring Robert Redford. Don't get me wrong--I loved the movie, but still, Malamud must have been tearing his hair over what Hollywood did to his dark, tragic fable of thwarted human ambition, greed and lust.
Even the main character's name, Hobbs, seems symbolic, or at least allusive: Hobbes (slightly different spelling) was a pessimistic philosopher who saw human life as a pitiless struggle for survival. Some reviewers have seen parallels with the King Arthur legend, but the novel isn't a contemporary retelling of that story. Malamud employs elements of the legend to give his own story a deeper, mythic resonance.
What this book ISN'T is a simplistic baseball novel, with a clean-cut hero overcoming adversities and becoming a winner in the end. As a reader you want to like Roy Hobbs, want to see him succeed, but Malamud keeps shoving a stick into his spokes. (Or maybe into his spikes.) His character is a man of unhealthy appetites. Roy's ambition to be "the best that ever was" in baseball is utterly self-centered and he's unable to see beyond it to any higher goal in life. His relationships with women are clumsy and coarse, and his fleeting visions of domestic happiness dimmed by lust and a tendency to want the wrong women for all the wrong reasons. Even his relationship with food is problematic. Toward the end of the novel he becomes the personification of the vice of Gluttony, stuffing himself to the point where he nearly causes his stomach to explode and he winds up in the hospital.
Without giving anything away, I think it's fair to say the book has a dark finale. This grim novel ends with an allusion to the Black Sox scandal--a newsboy begging Roy to "say it ain't true"--and Malamud offers a final line that sounds less like the King Arthur legend than like something from ancient Greek drama in its image of ruined hopes and tragic futility: "he lifted his hands to his face and wept many bitter tears."
Beats me how anyone can describe this brilliant, unforgetable but relentlessly bleak book as inspirational or uplifting. They must be confusing the novel with the movie.

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