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DJs have gone from being underpaid live jukeboxes to becoming premier entertainers, producers, businessmen, and musicians capable of commanding admiration from thousands and earning serious money. Bill Brewster and Frank Broughton's Last Night a DJ Saved My Life was the definitive history of the DJ. Now they gather their mastery of the artistic and technical aspects of being a DJ into a clear, accessible, and entertaining guide. How to DJ is the perfect guide -- from the most basic keys to establishing a music collection and a distinctive sound, to elementary record-spinning, to the complex skills of scratching, hot-mixing, and beat-juggling, as well as the inimitable art of creating an evening of sound that is perfectly timed, balanced, and unforgettable. Diagrams throughout illustrate phrases, beat timing, and song structure with no reliance on music theory, and resource lists recommend everything from which songs are best (and most fun) to learn with, to good sources for building a library of disks, CDs, and MP3s. For those who want to turn pro, the authors give sage advice on the vagaries of the club and music business. Short quotes, anecdotes, and photos of famous DJs such as Grandmaster Flash and Derrick Carter are featured.
- Sales Rank: #107611 in Books
- Published on: 2003-04
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 7.00" w x .75" l, 1.02 pounds
- Binding: Paperback
- 288 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
DJ Guide
By Stella Carrier
How to DJ right by Frank broughton and bill Brewster is a book listed to come from the same men who wrote last night a dj saved my life. This book also features information and advice from some of the multiple DJs featured in this book; carl cox, Christopher Lawrence, armand van helden, juan atkins, ron trent, masters at work, chemical brothers, derrick carter, kool herc, boy George, little louie vega, danny tengalia, dave seaman, coldcut, Richie hawtin, Harvey, barry ashworth, mr. scruff,pete tong, danny howells, adam freeland, Anthony pappa, norman cook of fatboy slim, david mancuso, grooverider, junior Vasquez, funkmaster flex, grandmaster flash, Laurent garnier, grand wizard Theodore, paul oakenfold, dj shadow, rocky, tom middleton, paul oaKenfold, paul vAn dyk, grandmaster dst, roc raida, mark rae, q-bert. John digweed, ltj bukem, Darren emerson, roger sanchez, gary bird, francois Kevorkian, dave lee, josh wink, Arthur baker, dj rap, sasha, marshall Jefferson, todd terr arey, norman jay, frankie knuckles, lottie, sAndrA Collins, timo maas, bAd boy bill, Afrika bambaataa, keoki, robb swift, todd terry, And other names and information that could take up another review length.
1 of 1 people found the following review helpful.
A quick informative book for new DJs
By Alex Hawk
I bought this book to get a basic understanding of how to DJ and that's exactly what I got.
There really is no stone unturned with this book and it exposes the reader to many different DJing concepts. It is very quick to read cover to cover which is exactly what I was looking for. A no frills guide to DJing, plain and simple.
A few sections of the book may seem to state the obvious if you have any sort of background in audio or music but it is nice to have everything in one place rather than aimlessly googling bits and pieces of info on the web. This book confirmed a lot of my suspicions about DJing and was well worth the money.
1 of 1 people found the following review helpful.
Great primer on the art/business of DJ'ing
By Brian Holt
This book delivered in ways I wasn't expecting. I purchased this for the more technical portions of the book, and while still relevant, the content is very dated (published in 2002) in regards to digital formats, and promoting one's self on the internet.
The portions of book dedicated to DJ technique were strong, but I felt like alot of the information contained there was vague. How exactly do you write about combining music in a way that empowers it? It all comes down to personal taste. And experience, developing an ear for what sounds right. Pictures of different scratch techniques won't mean much without knowing the sounds you're going for. And pictures of beat matching won't make any sense unless you've sequenced beats before. I've done all these things before so it worked out for me.
The real value in this book was about the DJ culture. Where to find gigs, how to know your audience, how to read a room. The differences between warming up a crowd and playing peak hours. These chapters were real gems, indispensible wisdom for people like myself without friends in the business. I felt like it was worth the price of admission for just these chapters.
The only thing I would ask for would be more chapters dedicated to different musical styles, and mixing them. It felt like a gaping hole in the book.
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