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Jaws: A Novel, by Peter Benchley
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Here is Peter Benchley’s classic suspense novel of shark versus man, which was made into the blockbuster Steven Spielberg movie. The Jaws phenomenon changed popular culture and continues to inspire a growing interest in sharks and the oceans today.
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When Peter Benchley wrote Jaws in the early 1970s, he meticulously researched all available data about shark behavior. Over the ensuing decades, Benchley was actively engaged with scientists and filmmakers on expeditions around the world as they expanded their knowledge of sharks. Also during this time, there was an unprecedented upswing in the number of sharks killed to make shark-fin soup, and Benchley worked with governments and nonprofits to sound the alarm for shark conservation. He encouraged each new generation of Jaws fans to enjoy his riveting tale and to channel their excitement into support and protection of these magnificent, prehistoric apex predators.
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This edition of Jaws contains bonus content from Peter Benchley’s archives, including the original typed title page, a brainstorming list of possible titles, a letter from Benchley to producer David Brown with honest feedback on the movie adaptation, and excerpts from Benchley’s book Shark Trouble highlighting his firsthand account of writing Jaws, selling it to Universal Studios, and working with Steven Spielberg.
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NEW YORK TIMES BESTSELLER
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“A tightly written, tautly paced study of terror [that] makes us tingle.”—The Washington Post
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“Powerful . . . [Benchley’s] story grabs you at once.”—The New York Times Book Review
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“Relentless terror . . . You’d better steel yourself for this one. It isn’t a tale for the faint of heart.”—The Philadelphia Inquirer
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“Pure engrossment from the very opening . . . a fine story told with style, class, and a splendid feeling for suspense.”—Chicago Sun-Times
- Sales Rank: #22028 in Books
- Brand: Brand: Ballantine Books
- Published on: 2013-08-06
- Released on: 2013-08-06
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .60 pounds
- Binding: Paperback
- 352 pages
- Great product!
From Publishers Weekly
Starred Review. Benchley's novel, while better known as the source material for Steven Spielberg's classic movie, has earned its own stripes as a small gem of suspense fiction. With another summer fast approaching, audio listeners may be interested in revisiting the town of Amity, Long Island, and getting back in the water. Erik Steele, a theater and film actor, chomps into Benchley's raw prose with appetite, enjoying every bite of gore and social observation. Making ample use of well-placed pauses and silences, Steele amplifies not only the suspense, but Benchley's surprisingly well-honed characterizations. The experience, of course, is markedly different from Spielberg's film, offering shocks less visceral and more contemplative. A Random House hardcover. (Apr.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
This novel about a rogue shark that terrorizes a beach community hasn’t aged a day since its publication more than 35 years ago. Benchley’s writing is lean and efficient—this is his first novel, and also by far his best—and the story is a solid mixture of small-town politics, mystery, and outright terror. The author positions his protagonist, police chief Martin Brody, as virtually the lone voice of reason in a town filled with people who want to downplay the shark’s presence (so as not to scare away tourists with their bulging wallets); and when the body count starts to rise, it’s Brody who has to find a way to kill the beast, even if it means putting his own life on the line. The familiar characters—Brody, oceanographer Matt Hooper, shark-hunter Quint—are not as likable as they are in Steven Spielberg’s classic film adaptation, but in the context of the novel, they are well drawn and compelling. Those who are familiar with the movie, but not the book, are in for some surprises, and those who read the book way back when should definitely give it another look. --David Pitt
Review
“A tightly written, tautly paced study of terror [that] makes us tingle.”—The Washington Post
�
“Powerful . . . [Benchley’s] story grabs you at once.”—The New York Times Book Review
�
“Relentless terror . . . You’d better steel yourself for this one. It isn’t a tale for the faint of heart.”—The Philadelphia Inquirer
�
“Pure engrossment from the very opening . . . a fine story told with style, class, and a splendid feeling for suspense.”—Chicago Sun-Times
Most helpful customer reviews
33 of 36 people found the following review helpful.
Pretty much a classic book that is different from the movie
By A Customer
I read this book over the winter break (actually I read it in a day while it rained outside) and I have to say that it was very entralling. Having seen the movie a dozen times over and never getting tired of it, I thought I'd check out the book because a friend told me that the book was different. How different? Well, let's just say that except for Quint (and even he's kind of different in the book) the main characters all seem very different from the characters in the movie. The Chief is not a NYC sophisticate, but is more of a former beat cop whose "dream" was to one day become chief of police in Amity. His wife is not as devoted as she is in the movie. Hooper the shark expert is also somewhat different and this book is interesting because the people are interesting, while the shark is sort of a looming natural threat like a hurricane or earthquake. The basic plot is similar as the washed up corpse of a girl is found on the beach, but then it totally veers off into a different story. And that's a good thing because it felt like I was reading an unpredictable book and not a retread of the movie. I probably would have stopped reading the book if it had been exactly the same as the movie because why bother if you know what's going to happen? I can see why this book was such a major blockbuster as it is quite fascinating to read. The knowledge about sharks does seem very dated (but then a quarter of a century will do that), but isn't that bad. I recommend this book because it is not like the movie in many ways and will surprise the reader and it's almost like a parallel world to the movie version which I appreciated.
17 of 18 people found the following review helpful.
WHERE IT ALL BEGAN ...
By Andre (Belmont, MA)
It's easy to look down our nose at this book today and say it's not great but to do so is to totally ignore the perspective of WHEN it was written. In the early 70s, Jaws was totally original, totally fresh. The point of view from the shark had never been done before and to see it was exhilirating.
I agree with others who pooh-pooh this book for the cheap, soap opera-ish romance between Cooper and Brody's wife; even back then, this wasn't particularly well done, nor did it serve to advance the plot. That's why it was completely removed from the film version, so the movie could focus completely on how do we deal with the menacing shark.
Still, Jaws was and always be one of the great thrillers of all time - both as a book and a movie. Peter Benchely was a master who, ironically, ended up dedicating his life to shark preservation after villifying them with this book. How sad to learn of his passing earlier this year. But everyone should read Jaws! Book lovers and movie lovers alike; it gives us all a great sense of where the truly great stories come from.
60 of 74 people found the following review helpful.
A Different Kind Of Fish
By Bill Slocum
Imagine it's 1975 and you're Peter Benchley. You've just published your first novel, a tale about a nasty shark that is an immediate success. Then along comes some guy named Speilberg, and suddenly its his "Jaws" everyone is talking about.
Talk about sharkbite. Ouch!
Making matters worse is that the book is very different from the movie, in many minor and a few major respects. People reading "Jaws" after seeing the movie may scratch their heads seeing the character Richard Dreyfuss played in the movie having a fling with Roy Scheider's wife, or how differently the final confrontation on the "Orca" turns out.
Steven Speilberg definitely improved upon it, but "Jaws" is still a good book, at times very much so. If you can set aside your memory of the movie and try to read this with fresh eyes, you will find yourself enjoying the book, and perhaps even feel, as I do, a little grateful it isn't just a novelization of what was on screen.
Speilberg had the best take on "Jaws" the novel when he said the characters in it are so unlikable he pulled for the shark. I think Benchley wanted exactly that effect. If so, he succeeds. The central character in the novel as in the film, Chief Brody, is lunkheaded if sympathetic. His wife, Ellen, feels shackled not because of the feminist urges then roiling the social scene but because she's a rich girl who married down and now has regrets about the Hampton cocktail soirees she passed up. The citizens of the town, named Amity perhaps ironically, are so cold-blooded they want the beaches kept open, shark or no, because otherwise they lose their summer trade. The mayor is in with the Mob.
As young people stretch out on the beach, Benchley describes the horny fantasies of the boys and their smug upper-middle-class satisfaction. "Privilege had been bred into them with genetic certainty," Benchley writes, before turning his attention to younger beachgoers with the scorn of a Puritan minister.
"The little children played in the sand at the water's edge, digging holes and flinging muck at each other, unconscious and uncaring of what they were and what they would become."
Nothing quite like a 20-foot Great White shark to knock the complacency from these sinful folk, maybe send a few to their early just desserts. Benchley sometimes presents this notion of the shark as instrument of divine judgment in a playful way, sometimes more seriously, but it lends an undercurrent to the story unique to the book.
Also unique to the book is Ellen's affair with Hooper the ichthyologist, which moves things quite afield from the shark hunt but has a good deal of suspense in its own right, as Ellen cold-bloodedly sets things in motion and worries more about the possibility of rejection then betraying the father of her three sons. Benchley here captures the social mores of the 1970s with Updikean ruthlessness, and perhaps suggests some of the preternatural reason for the shark's atypical presence off Long Island's southern coast.
Benchley doesn't catch every ball he tosses up, particularly with the mob subplot, and the final confrontation ends things on an abrupt and flat note. But he keeps you uneasily interested throughout, and his descriptions of the shark's attacks are especially well-written. The movie is better for its stronger focus and better humor, among other things, but Benchley's novel deserves credit for giving Speilberg's vision life, and for presenting an alternate fish tale you will enjoy reading, for its own sake as well as for comparison.
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