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Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history.
- Sales Rank: #698189 in Books
- Published on: 1996-08-01
- Original language: French
- Number of items: 1
- Dimensions: 10.26" h x 1.71" w x 7.34" l, 3.15 pounds
- Binding: Hardcover
- 642 pages
Review
This is an indispensable guide to understanding France and the French. As usual, Arthur Goldhammer's translation is superb.
(Foreign Affairs)This unusual book deals fascinatingly with everything from the creation of the rousing anthem "La Marseillaise" to the changing role of Joan of Arc in France's collective memory. Even the Eiffel Tower shines forth in surprising new facets.
(Chicago Tribune)Provides arresting genealogies of a number of the major cleavages in French history, with chapters on the embattled relationship of Jews to the French republic, the peculiar affinities of Gaulism and Communism, and... Paris' haughty condescension toward la province.... Without resorting to polemics, the volume reminds us that the image of the French past is confected as much out of amnesia as out of memory.
(Lingua Franca)A magisterial attempt to define what it is to be French.
(Times Literary Supplement)A magnificent achievement.... [The essays included] are the high-carat jewels of the project.
(The New Republic) Language Notes
Text: English (translation)
Original Language: French
From the Back Cover
Realms of Memory is a monumental collective endeavor by France's leading intellectuals, exploring the cathedrals and palaces, the rituals, legends, and episodes that form the landscape of French consciousness. The first volume, Conflicts and Divisions, reflects on symbols of political, religious, regional, and generational difference that structure France's self-definition. The book begins with the political clashes that have carved a path through French history and memory, between Franks and Gauls, French and foreigners, Vichy and all other regimes. Contributors explore shifting conceptions of political meaning over centuries, from the often irreverent portrayals of Gauls in such popular media as the Asterix comics to nostalgic reimaginings of pre-revolutionary France by modern ultranationalists. A second section analyzes sites and events of the religious conflicts that underlie French identity. The authors chronicle the manufacture of remembrance, as seen in the Protestant festivals held each September to commemorate the persecution of Huguenots in the sixteenth-century Wars of Religion; and of the processes of forgetting, witnessed in the assimilative tradition among French Jews that has hindered, if not prevented, rediscovery of a distinctively Jewish past and acknowledgements of the French legacy of anti-Semitism. Conflicts and Divisions concludes with a section on issues of time and place, and analysis of the cleavages that separate Paris and province, north and south, and human generations as demarcated by such transformative years as 1789 and 1968.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Key Work for Nearly Anyone Wishing to Truly Understand France's View of Its Own History
By Ray
This acclaimed work of the 1980's and 1990's, which took over a decade to assemble and is composed of contributions by scores of expert authors, sets out to describe how the French people have "constructed" their history through symbols, allusions, and associations, and then have subsequently shifted that constructed memory into the public consciousness. The series, which took up seven volumes in the original French, has been described as "monumental," and there can be little doubt that this description is completely correct due to its size, scope, and coverage. But it is not just its size and scope that make the work "monumental." This is a set that is also superbly written by authors who have uniquely and expert knowledge of the subject matter, and the choice of topics, and the depth into which each is examined, easily makes this a de-facto standard work for anyone today wishing to have a true understanding of how the French themselves define what it means to be "French." It is certainly Pierre Nora's magnum opus, and if you possess anything more than a passing interest in French history, "Frenchness," and French semiotics, you will not want to pass on this work.
The current English translation here is, unfortunately, taken from a subset of the original seven volumes, reduced to three large volumes. Nora defends the reduction as maintaining the spirit of the original, in spite of the collection's selection list from the larger original. He may be right. But it is nevertheless unfortunate that the complete set was not translated into English. But, on the bright side--and indeed, it is bright--the translation here by Arthur Goldhammer is absolutely superb, with virtually no trace of the grammatical oddity that can occur when translating between French and English, and vice-versa. The text reads as smoothly, accurately, and clearly as though it was originally written in English.
The content is absolutely superb. Volume 1 focuses on politics, minority religions, and divisions of time and space, which probably doesn't mean anything when you first hear it, but once you read the preface and get into the content, the rationale for these choices of topics and chapters is quintessentially French. For example, why do the French overwhelmingly regard the Gauls as their ancestors, yet rarely have any historical landscape markers to the Gauls in a country replete with historical signposts in every village? And we thought it was not the Gauls, but the Franks, who were the progenitors of the French nation! So, is it Gauls, or Franks? And what about the belief that the political "left" and "right" originated in the French Revolution, yet earlier references in French works seem to identify this concept as previously existing in England? And what about the tension between Gaulists vs. Communists, Catholics vs. Seculars, French vs. Foreigners, the Ancient Regime vs. the Revolution? Nora's book looks at the construction of French history through the symbols that are a part of each historical milieu, and the passing of these symbolic references into an evolving historical story.
This is a book as fascinating to read as it is beneficial to learning, and it really should be on your list if you wish to understand France as the French views it. And although the volumes can be quite expensive, you can occasionally find a few copies in the used marked in very good shape at a good price. I highly recommend this series as one that is fascinating, complex, evocative, and unusual. An easy five stars for what must be considered a monumental and influential work.
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Volume 2 focuses on the roots of social models in France, and Volume 3 on Symbols:
Realms of Memory: Rethinking the French Past, Vol. 2 - Traditions
Realms of Memory: Rethinking the French Past, Vol. 3 - Symbols
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